Louis-Ferdinand Céline's stark and often brutal prose is characterized by its unflinching portrayal of human suffering, particularly the pervasive weariness of existence. The quote, "La grande fatigue de l'existence n'est peut-être en somme que cet énorme mal qu'on se donne pour demeurer vingt ans, quarante ans, davantage, raisonnable, pour ne pas être simplement…" (The great fatigue of existence is perhaps in sum only this enormous pain one inflicts upon oneself to remain for twenty years, forty years, or more, reasonable, to not simply…), encapsulates this central theme. This article will delve into this profound statement, exploring its meaning within the context of Céline's oeuvre, examining the sources of this "enormous pain," and analyzing the implications of his cynical yet deeply human perspective on the burden of rationality and societal conformity.
Qui a dit : La grande fatigue de l'existence n'est peut; La grande fatigue de l'existence n'est peut: The attribution of this quote is unequivocally to Louis-Ferdinand Céline. While a precise source within his vast body of work might require further scholarly research to pinpoint, the sentiment resonates strongly with his recurring themes of disillusionment, societal critique, and the inherent absurdity of human striving. His raw, visceral style, characterized by its stream-of-consciousness narrative and often jarring imagery, perfectly conveys the weariness he describes. The quote itself isn't a neatly packaged aphorism; it's a fragment, a glimpse into the turbulent inner landscape of one of the 20th century's most controversial and compelling authors. The ellipsis at the end is crucial; it leaves the reader suspended, contemplating the unspoken consequences of abandoning "reasonableness." What is the "simply…" that follows? Is it madness? Chaos? Freedom? The ambiguity reflects the complexities of the human condition as Céline saw it.
Citalit: Louis Ferdinand Céline; Louis; Quote by Ferdinand Céline: “La grande fatigue de l …: The quote's power lies in its suggestive ambiguity. It's not a simple lament about life's hardships; it's a profound meditation on the self-imposed burdens of societal expectations. Céline, known for his anti-bourgeois sentiments, saw "reasonableness" as a form of self-imposed prison. The "enormous pain" is the constant struggle to maintain a façade of normalcy, to conform to societal norms that he believed were fundamentally stifling and ultimately meaningless. This resonates throughout his works, from *Voyage au bout de la nuit* (Journey to the End of Night) to *Mort à crédit* (Death on Credit), where his characters grapple with the crushing weight of societal expectations and the disillusionment that follows.
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